My artistic practice focusses on systemic structures of extraction that drive disconnection—whether through labor exploitation, environmental displacement, or land commodification. My work examines the structural separation of humans from their surroundings. As a trained carpenter, I value fine craftsmanship and material sensitivity. Craft connects people to the earth through technology, fostering belonging by merging social and material practices. My art often includes physical tools, reflecting my belief in their power to create connection. I design works to be used, altered, and reintegrated into natural cycles, viewing them as temporary assemblages rather than fixed entities. Previously, I worked on collective urban spaces and their architectural dynamics. At Sandberg Instituut, I am researching human-forest relationships, focusing on ecosystem transformations and dissolving extractivist views of what we call nature.